The interview with composer Aleksandar Obradović” (Korić, Vesna, Trans.) New Sound, International Magazine for Music. “To understand the beginning and the end. “Paradoks kratkog spoja između publike i savremenog kompozitora,”. “Posleratno muzičko stvaralaštvo u Jugoslaviji: Srbija.”. Retrieved from (last access 14 December 2017). “Place of the Classical Music Festivals in a Transitional Society.” Master dissertation, University of Arts in Belgrade: Serbia.
Thirty Years of the Belgrade Music Festival (Brown, Gawin Paunović, Zoran, Trans.) Belgrade: Jugokoncert. “Inside or Outside Socialist Modernism? Radical Views on the Yugoslav Art Scene, 1950–1970.” Impossible Histories – Historical Avant-gardes, Neo-Avant-Gardes, and Post-avant-gardes in Yugoslavia, 1918–1991, Eds. 3” (Kapetanović, Goran, Trans.) New Sound. “Aleksandar Obradović – Pro Libertate Concerto for Piano and Orchestra No. Elementi ekspresionističke orijentacije u srpskoj muzici do 1945. BEMUS - Belgrade Music Festival archive.
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